Mona Pahle Bjerke, “Teknokunst på Munch-museet”, Nyhetsmorgen, NRK, March 17, 2026.
Mona Pahle Bjerke, “Post­apo­kalypt­isk kate­dral” (Post-apocalyptic cathedral), Anmeldelse, NRK, March 16, 2026.
Yngve Sikko, “MUNCHs beste samtidskunst-utstilling til nå”(MUNCH’s best contemporary art exhibition yet), Kunstavisen, March 9, 2026.
Stian Gabrielsen, “A Sprinkle of Trauma”, Kunstkritikk, March 5, 2026.
Øyvind Rones, “Publikum gråt og la seg på gulvet da utstillingen åpnet på MUNCH”(The audience cried and lay on the floor when the exhibition opened at MUNCH), Blikk, March 4, 2026.
Alma Holtvedt, “Kim Hankyul: Viser hva han er god for”(Kim Hankyul: Showing what he’s good at), Aftenposten, March 2, 2026.
Lars Elton, “Kaos under kontroll”(Chaos under Control), Dagsavisen, February 28, 2026.
“Lang kø på fredagskvelden: – Har bare økt i popularitet”(Long queue on Friday night: – Has only increased in popularity), Avisa Oslo, February 28, 2026.
“11 Artists Having Breakout Moments in 2026”, Artsy Editorial, January, 2026.
“K-Art in Oslo : An Interview with Hankyul Kim”, December, 2025.
PARNASS Kunstmagazin, “Zwischen Projektion und Realität – Kim Hankyuls robotisches Theater”, November 20, 2024.
“Aluminum flexible duct wiggles around like a giant worm”, Boing Boing, March 9, 2024.
“Kim Hankyul at Entrée”, Yyyymmdd, June 30, 2023.
“Kim Hankyul at Entrée”, Art Viewer, June 27, 2023.
Kunstpodden, ‘Nitja samtaler x Kunstpodden: “Dannelsesromanen”, February 22, 2023.
Thula Kopreitan, “Halvt fascinerende, halvt motbydelig på Nitja senter for samtidskunst”, Morgenbladet, February 19, 2023.
“Bildungsroman by Kim Hankyul at Nitja”, Yyyymmdd, February 3, 2023.
Arve Rød, “Dr. Frankenstein på Lillestrøm”, kunstavisen, January 26, 2023.
Mona Pahle Bjerke, “En dannelsesreise – utstillingen traff meg som et knyttneveslag i magen.”, NRK, January 17, 2023.
Kåre Bulie, “Buddha med Knokkealarm”, klassekampen, January 11, 2023.
Maria Borg, “Høydepunkter fra kunståret 2022”, Vårtland, December 19, 2022.
Eirik Zeiner-Henriksen, “Vekstlyset på”, Kunstkritikk, December 13, 2022.
Line Ulekleiv, “Kald, mekanisk vind”, Kunstavisen, December 7, 2022.
Åsa Opedal, “Kulturell appropriering og sinte prosesser”, Kunsthåndverk, March 18, 2022.
Tuva Mossin, “Kulturkritikk i budoaret”, Kunstkritikk, February 18, 2022.
Renate Rivedal, “Den bergensbaserte kunstnaren har fletta saman eit unikt uttrykk”, Bergens Tidende, February 18, 2022.
Vibeke Hermo, “I stormens øye”, Paragone, December 10, 2021.
Arve Rød, “Sedat høstutstilling”, Kunstavisen, September 13, 2021.
Oda Bhar, “Høstutstillingen 2021: En lavmælt apokalypse”, Periskop, September 2021.
Nicholas Norton, “Med et brak, kløyves himmelhvelvingen”, Billedkunst No.3 Ulikhet 3:By og Land, 2021. 224-225.
Månedens kunstner, “Kim Hankyul”, VISP, October 1, 2020.
Sini Mononen, “Kim Hankyulin kiehtova ääniveistos Sculptorissa kannattaa nähdä ja kuulla”, Helsingin sanomat, September 15, 2020.
The White Pube, “With eyes closed, call me @Bergen Kunsthall”, May 12, 2019.
Susanna Christensen, “Elektrisk af idder”, Kunstkritikk, April 29, 2019.
Brynhild Winther, “Velkomen til verkelegheita”, Billedkunst No.4, 2019. 104-107.
Taehee Kim, “On encounters, which can never be reached”, Theatre In, February 8, 2018.
Haebin Lee, “Where malocclusion becomes an attitude”, 美術世界(Art World), January, 2017. 155.
Jungwook Kim, “An awkward consolation from unpainted materials”, Seoul Foundation for Art and Culture, March 11, 2016.
Yeonsoo Kim, “Text Showing Process / The youth slurs through texts?”, All about Art, January 5, 2016.
Jihye Seo, “Freedom of Artistic Expression? Animal Abuse?…”, Herald Economy, September 10, 2015.