{"id":613,"date":"2023-12-05T12:09:24","date_gmt":"2023-12-05T12:09:24","guid":{"rendered":"https:\/\/kimhankyul.com\/?page_id=613"},"modified":"2026-03-30T14:05:25","modified_gmt":"2026-03-30T14:05:25","slug":"press","status":"publish","type":"page","link":"https:\/\/kimhankyul.com\/?page_id=613","title":{"rendered":"Press"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"613\" class=\"elementor elementor-613\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2a1cd4e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2a1cd4e\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b6592b4\" data-id=\"b6592b4\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c5120ae elementor-widget elementor-widget-text-editor\" data-id=\"c5120ae\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.15.0 - 09-08-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><style>\na, a:visited, a:hover, a:active{color:#000 !important;}<\/style><\/p><p><a href=\"https:\/\/www.dagsavisen.no\/kultur\/se-en-utstilling-i-pasken\/10271103\">Lars Elton, &#8220;Se en utstilling i p\u00e5sken&#8221;(See an exhibition at Easter), Dagsavisen, March 27, 2026.<\/a><br \/><a href=\"https:\/\/www.finansavisen.no\/kunst\/2026\/03\/26\/8339721\/solo-oslo-pa-munch-kim-hankyuls-stemningsfulle-lydlandskap?zephr_sso_ott=RxXTD9\">Kari Nestaas, \u201cSolo Oslo p\u00e5 Munch: Kim Hankyuls stemningsfulle lydlandskap&#8221;(Solo Oslo at Munch: Kim Hankyul&#8217;s atmospheric soundscapes), Finansavisen, March 26, 2026.<\/a><br \/><a href=\"#\">Mona Pahle Bjerke, &#8220;Teknokunst p\u00e5 Munch-museet&#8221;, Nyhetsmorgen, NRK, March 17, 2026.<\/a><br \/><a href=\"https:\/\/www.nrk.no\/anmeldelser\/anmeldelse_-_shore_-av-kim-hankyul-pa-munchmuseet-1.17804814\">Mona Pahle Bjerke, \u201cPost\u00adapo\u00adkalypt\u00adisk kate\u00addral\u201d (Post-apocalyptic cathedral), Anmeldelse, NRK, March 16, 2026.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/www.magasinetkunst.no\/komplekst-og-fremmedgjorende\/\">Vetle G. Lyckander, \u201cKomplekst og fremmedgj\u00f8rende\u201d (Complex and alienating), magasinetkunst, March 13, 2026.<\/a><br \/><a href=\"https:\/\/kunstavisen.no\/anmeldelser\/kim-hankyul-solo-oslo\">Yngve Sikko, \u201cMUNCHs beste samtidskunst-utstilling til n\u00e5\u201d(MUNCH&#8217;s best contemporary art exhibition yet), Kunstavisen, March 9, 2026.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/kunstkritikk.com\/a-sprinkle-of-trauma\/\">Stian Gabrielsen, \u201cA Sprinkle of Trauma\u201d, Kunstkritikk, March 5, 2026.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/www.blikk.no\/kim-hankyul-kunst-munch\/publikum-grat-og-la-seg-pa-gulvet-da-utstillingen-apnet-pa-munch\/290774\">\u00d8yvind Rones, \u201cPublikum gr\u00e5t og la seg p\u00e5 gulvet da utstillingen \u00e5pnet p\u00e5 MUNCH\u201d(The audience cried and lay on the floor when the exhibition opened at MUNCH), Blikk, March 4, 2026.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/www.aftenposten.no\/kultur\/i\/8pJzPr\/kim-hankyul-paa-munch-viser-hva-han-er-god-for\">Alma Holtvedt, \u201cKim Hankyul: Viser hva han er god for\u201d(Kim Hankyul: Showing what he&#8217;s good at), Aftenposten, March 2, 2026.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/www.dagsavisen.no\/kultur\/kaos-under-kontroll\/10226773\">Lars Elton, \u201cKaos under kontroll\u201d(Chaos under Control), Dagsavisen, February 28, 2026.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/www.ao.no\/lang-ko-pa-fredagskvelden-har-bare-okt-i-popularitet\/s\/5-128-1267444\">\u201cLang k\u00f8 p\u00e5 fredagskvelden: \u2013 Har bare \u00f8kt i popularitet\u201d(Long queue on Friday night: \u2013 Has only increased in popularity), Avisa Oslo, February 28, 2026.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-11-artists-breakout-moments-2026\">\u201c11 Artists Having Breakout Moments in 2026\u201d, Artsy Editorial, January, 2026.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/vibesnvistas.com\/k-art-in-oslo-an-interview-with-hankyul-kim\/?utm_source=ig&amp;utm_medium=social&amp;utm_content=link_in_bio\">&#8220;K-Art in Oslo : An Interview with Hankyul Kim&#8221;, December, 2025.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/www.parnass.at\/ausstellungen\/kim-hankyuls-robotisches-theater\">PARNASS Kunstmagazin, \u201cZwischen Projektion und Realit\u00e4t &#8211; Kim Hankyuls robotisches Theater\u201d, November 20, 2024.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/boingboing.net\/2024\/03\/09\/aluminum-flexible-duct-wiggles-around-like-a-giant-worm.html\">\u201cAluminum flexible duct wiggles around like a giant worm\u201d, Boing Boing, March 9, 2024.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/yyyymmdd.de\/2023\">\u201cKim Hankyul at Entr\u00e9e\u201d, Yyyymmdd, June 30, 2023.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/artviewer.org\/kim-hankyul-at-entree\/\">\u201cKim Hankyul at Entr\u00e9e\u201d, Art Viewer, June 27, 2023.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/open.spotify.com\/episode\/3Hm1djRZhYQaifQRNvYV35\">Kunstpodden, &#8216;Nitja samtaler x Kunstpodden: \u201cDannelsesromanen\u201d, February 22, 2023.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/www.morgenbladet.no\/kultur\/kunst\/2023\/02\/03\/halvt-fascinerende-halvt-motbydelig-pa-nitja-senter-for-samtidskunst\/\">Thula Kopreitan, \u201cHalvt fascinerende, halvt motbydelig p\u00e5 Nitja senter for samtidskunst\u201d, Morgenbladet, February 19, 2023.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/yyyymmdd.de\/2023-BILDUNGSROMAN\">\u201cBildungsroman by Kim Hankyul at Nitja\u201d, Yyyymmdd, February 3, 2023.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/kunstavisen.no\/artikkel\/2023\/dr-frankenstein-pa-lillestrom\">Arve R\u00f8d, \u201cDr. Frankenstein p\u00e5 Lillestr\u00f8m\u201d, kunstavisen, January 26, 2023.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/www.nrk.no\/anmeldelser\/anmeldelse_-_bildungsroman_-av-kim-hankyul-1.16258537\">Mona Pahle Bjerke, \u201cEn dannelsesreise &#8211; utstillingen traff meg som et knyttneveslag i magen.\u201d, NRK, January 17, 2023.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/klassekampen.no\/utgave\/2023-01-11\/buddha-med-knokkelarm1\/U2Vf\">K\u00e5re Bulie, \u201cBuddha med Knokkealarm\u201d, klassekampen, January 11, 2023.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/www.vl.no\/kultur\/anmeldelse\/2022\/12\/19\/hoydepunkter-fra-kunstaret-2022\/?R=JqCvopNnHQ&amp;subscriberState=valid&amp;action=loggedin\">Maria Borg, \u201cH\u00f8ydepunkter fra kunst\u00e5ret 2022\u201d, V\u00e5rtland, December 19, 2022.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/kunstkritikk.no\/vekstlyset-pa\/\">Eirik Zeiner-Henriksen, \u201cVekstlyset p\u00e5\u201d, Kunstkritikk, December 13, 2022.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/kunstavisen.no\/artikkel\/2022\/kald-mekanisk-vind?fbclid=IwAR1RskWqxc7mLVx1SeS-5XG0hYimn6y_jzVIRkKd6C9ouIbb2Nq2Su795x4\">Line Ulekleiv, \u201cKald, mekanisk vind\u201d, Kunstavisen, December 7, 2022.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/www.kunsthandverk.no\/anmeldelser\/2022\/3\/17\/kulturell-appropriering-og-sinte-prosesser \">\u00c5sa Opedal, \u201cKulturell appropriering og sinte prosesser\u201d, Kunsth\u00e5ndverk, March 18, 2022.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/kunstkritikk.no\/kulturkritikk-i-budoaret\/\">Tuva Mossin, \u201cKulturkritikk i budoaret\u201d, Kunstkritikk, February 18, 2022.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/www.bt.no\/kultur\/i\/a7dGpL\/doera-vert-lukka-bak-deg-og-du-er-aleine-i-denne-vakre-og-skremmande\">Renate Rivedal, \u201cDen bergensbaserte kunstnaren har fletta saman eit unikt uttrykk\u201d, Bergens Tidende, February 18, 2022.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/www.tidsskriftetparagone.com\/kunst\/2021\/11\/30\/i-stormens-ye \">Vibeke Hermo, \u201cI stormens \u00f8ye\u201d, Paragone, December 10, 2021.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/kunstavisen.no\/artikkel\/2021\/sedat-hostutstilling?fbclid=IwAR15pyZkl0eaKYmW4UFWK2XbCcqKOqq15p0pTvQdmHfgFHfWFMSGHQ-P1Uc\">Arve R\u00f8d, \u201cSedat h\u00f8stutstilling\u201d, Kunstavisen, September 13, 2021.<\/a><a href=\"#\"><br \/><\/a><a href=\"http:\/\/www.periskop.no\/hostutstillingen-2021-en-lavmaelt-apokalypse\/?fbclid=IwAR37e_AfPWxdKcvN_Y15zVp20hOI2oDsonP6FA3Elegn7M_gA3PiKIFWZWg\">Oda Bhar, \u201cH\u00f8stutstillingen 2021: En lavm\u00e6lt apokalypse\u201d, Periskop, September 2021.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/www.norskebilledkunstnere.no\/billedkunst\/aktuelt\/med-et-brak-kloyves-himmelhvelvingen\/\">Nicholas Norton, \u201cMed et brak, kl\u00f8yves himmelhvelvingen\u201d, Billedkunst No.3 Ulikhet 3:By og Land, 2021. 224-225.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/visp.no\/kim-hankyul\/\">M\u00e5nedens kunstner, &#8220;Kim Hankyul&#8221;, VISP, October 1, 2020.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/www.hs.fi\/kulttuuri\/art-2000006636418.html\">Sini Mononen, \u201cKim Hankyulin kiehtova \u00e4\u00e4niveistos Sculptorissa kannattaa n\u00e4hd\u00e4 ja kuulla\u201d, Helsingin sanomat, September 15, 2020.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/www.thewhitepube.co.uk\/with-eyes-closed-call-me \">The White Pube, \u201cWith eyes closed, call me @Bergen Kunsthall\u201d, May 12, 2019.<\/a><a href=\"#\"><br \/><\/a><a href=\"https:\/\/kunstkritikk.no\/elektrisk-af-ideer\/ \">Susanna Christensen, \u201cElektrisk af idder\u201d, Kunstkritikk, April 29, 2019.<\/a><a href=\"#\"><br \/>Brynhild Winther, \u201cVelkomen til verkelegheita\u201d, Billedkunst No.4, 2019. 104-107.<br \/><\/a><a href=\"http:\/\/webzine.e-stc.or.kr\/01_guide\/actreview_view.asp?SearchKey&amp;SearchValue&amp;rd&amp;flag=READ&amp;Idx=1129\">Taehee Kim, \u201cOn encounters, which can never be reached\u201d, Theatre In, February 8, 2018.<\/a><a href=\"#\"><br \/>Haebin Lee, \u201cWhere malocclusion becomes an attitude\u201d, \u7f8e\u8853\u4e16\u754c(Art World), January, 2017. 155.<br \/><\/a><a href=\"http:\/\/m.blog.naver.com\/i_sfac\/220652335396\">Jungwook Kim, \u201cAn awkward consolation from unpainted materials\u201d, Seoul Foundation for Art and Culture, March 11, 2016. <\/a><a href=\"#\"><br \/><\/a><a href=\"http:\/\/aaart.co.kr\/news\/article_print.html?no=2409\">Yeonsoo Kim, &#8220;Text Showing Process \/ The youth slurs through texts?&#8221;, All about Art, January 5, 2016. <\/a><a href=\"#\"><br \/><\/a><a href=\"http:\/\/biz.heraldcorp.com\/view.php?ud=20150910000567\">Jihye Seo, \u201cFreedom of Artistic Expression? Animal Abuse?&#8230;\u201d, Herald Economy, September 10, 2015. <\/a><br \/><script>\ndocument.querySelectorAll('a').forEach(a => {\n  if(a.getAttribute('href') === '#'){\n    a.addEventListener('click', e => e.preventDefault());\n  } else {\n    a.setAttribute('target','_blank');\n    a.setAttribute('rel','noopener noreferrer');\n  }\n});\n<\/script><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Lars Elton, &#8220;Se en utstilling i p\u00e5sken&#8221;(See an exhibition at Easter), Dagsavisen, March 27, 2026.Kari Nestaas, \u201cSolo Oslo p\u00e5 Munch: Kim Hankyuls stemningsfulle lydlandskap&#8221;(Solo Oslo at Munch: Kim Hankyul&#8217;s atmospheric soundscapes), Finansavisen, March 26, 2026.Mona Pahle Bjerke, &#8220;Teknokunst p\u00e5 Munch-museet&#8221;, Nyhetsmorgen, NRK, March 17, 2026.Mona Pahle Bjerke, \u201cPost\u00adapo\u00adkalypt\u00adisk kate\u00addral\u201d (Post-apocalyptic cathedral), Anmeldelse, NRK, March 16, &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/kimhankyul.com\/?page_id=613\"> <span class=\"screen-reader-text\">Press<\/span> \ub354 \ubcf4\uae30 &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","footnotes":""},"class_list":["post-613","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kimhankyul.com\/index.php?rest_route=\/wp\/v2\/pages\/613","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kimhankyul.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kimhankyul.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kimhankyul.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kimhankyul.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=613"}],"version-history":[{"count":65,"href":"https:\/\/kimhankyul.com\/index.php?rest_route=\/wp\/v2\/pages\/613\/revisions"}],"predecessor-version":[{"id":1083,"href":"https:\/\/kimhankyul.com\/index.php?rest_route=\/wp\/v2\/pages\/613\/revisions\/1083"}],"wp:attachment":[{"href":"https:\/\/kimhankyul.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}